What
does it take to write a sermon? Well, many books have been written on that
topic, and all I have to offer here are a few suggestions. They’re borne in
experience, have been tested by my homiletics students—and sometimes rejected. I
admit that they’re a bit crotchety at points—I’ve been a preacher who has spent
years sitting in the pew, and have heard far too many sermons that were
clunkers not to be a bit crotchety, I guess. But take these suggestions for
what they’re worth to you.
· Preach good news. So much preaching is so full
of the law, of the “do’s and don’ts” of the Pauline Epistles, of warnings
against sin, of doctrines that confuse (“leave difficult things for books,”
said Augustine), of platitudes, of distinctives that pit us against other
Christians, and so on. The gospel is good news. It is joy. It is what parched
lips long for. Offer living water, not dishwater; offer a light that shows the
way to safe harbor; not a spotlight for keeping the crime rate low.
· No recipe turns out great sermons unless one of
the ingredients is a mysterious, creative, imaginative moment that contains the
sermon’s nugget. Such moments are half gift from God, half talent, and half
stubborn persistence. I had an old teacher (Marrion Snapper) who told me “the
imagination is the door by which the Spirit enters our hearts.” If you read the
Psalms or Jesus’ parables or the Song of Songs, you will understand.
· Beauty is redemptive. The universe has an
aesthetic dimension. It strikes me that one of the divine uses of beauty is its
ability to turn us from the things that weigh us down to the heavens—or the poetry
or temples—that declare the glory of God. Whether it is a song sung with holy
passion, or a painting that sheds new light on something we would otherwise not
have seen, or a sermon that seizes the heart as well as the brain—beauty has
the power to turn us towards the divine. Cultivate beauty, especially in
sermons.
· Don’t mistake the sermon for advice (such as
you’re reading here!). This is the pragmatic turn in preaching, absolutely at
home with this age’s concern for self-help, easy maps to success, and ten
bulleted points but no narrative. Preaching is about the story mostly, and only
rarely, advice. The theological synonym for advice is “repent,” and its genre
is prophecy. Real prophets are extremely reluctant.
· On a more mundane level, write a manuscript. If
you don’t, you’ll soon be preaching the same three sermons (or paragraphs or
themes within a sermon), over and over. Manuscripts also force you to plainly
state the tough issues (or beautiful truths) in a text that you might otherwise
gloss over by speaking of them off the top of your head.
· Writing a manuscript in not nearly enough. Editing
is indispensable. Editing is the work of getting sloppy sermons into shape:
making sure you’ve made your points to your satisfaction, finding the right
turn of phrase, building fences between you and needless repetition or poorly
thought out tangents, and giving yourself a script for practicing delivery or
memorizing. I spend as much time editing as writing. It is also the only way I
can build literary repetition, assonance, rhyme, and most especially, greater
simplicity and economy into my sermon text. If you think you can do without a
manuscript, listen to some politician or public official speak unscripted on
the radio. It is usually very painful and not something I would volunteer to do
from the pulpit.
· What you do with the manuscript on Sunday is up
to you. You can memorize your sermon. You can put it on note cards. You can
take the manuscript in some form or other to the pulpit with you. On the pulpit,
you can add or subtract—so long as you are aware of the temptation to add and
subtract for lesser reasons. Beware, however—no pulpit strategy is so prone to
failure as improvisation.
· Don’t be too earnest. Yes, what you say seems important.
But no one likes a nag. So relax. Spend more time on illustration, on humor, on
retelling the story, and on reprising the good news. Spend less time trying to
get it all in, or speaking as if this is their last, best chance to get it
right. This is just one of up to 2500 or more times your parishioners might be
in church to hear a sermon.
· Be brief. Some people may be used to long
sermons, but so what? A few stellar preachers may even have built a career out
of hour-long sermons. And a few self-selected all-pro pew sitters may love long
sermons. But are these the people you really need to reach? No. The youth,
those who have not made up their minds, those who are visiting a church for the
one time in their life and have learned to listen in front of a TV . . . I’m
telling you, this country is ripe for preachers who can do good news in 20
minutes (1600 words) or less. Of course, that also means more editing.
· Find ways to cultivate your imagination. Take a
few small risks. Try an object lesson for a sermon. Write it as a children’s
story. Copy the style/rhyme/brevity of a children’s story. Do it as a one-woman
play. Poke fun at yourself. Project some art on the overhead and make it the
outline for your sermon. Use a text other than scripture. The possibilities are
endless even if the good news is one key thing.
· Use self-disclosure. Build a relationship with your
congregation that is rooted in the real you. Be honest and direct. I’m not
talking about being a tattler or being self-absorbed or going on and on about
the minutiae of your life or family. But strategic use of self-disclosure makes
you, and therefore what you say, more real and believable.
· Don’t spend too much time trying to say too much
that’s too hard to understand. Simplicity isn’t just a lifestyle choice. It
works with sermons too. But simplicity is very hard to achieve. Jesus did it
well, Paul not nearly as well. However, in our media-saturated, non-linear,
secondary-oral culture, people can’t follow complex or dense arguments nearly
as well as they used to. They also don’t have the mental theological
infrastructure to help them file what they hear. So simplicity is the tried and
true way forward.
· By all means, when some time has passed, pick up
an old sermon and redo it for the second time the way it should have been done
the first time.
· Find a friend, usually a fellow pastor, who will
ruthlessly dissect your sermons (with a little love left over). And then do the
same for him or her. If you really do this, you will learn a lot. I met my first sermon critic each month over lunch. He
taught me, for example, that preaching isn't nagging--much to the relief of my first congregation.
· Accept failure with a smile. Learn from it. But don’t get too
upset about it. No runner wins every race, though a real runner will enjoy
every one.
So what do you think? What would you add to this list? Or subtract? Or, if you listen to sermons, which piece of advice would you underline or add? Click the "comments" link below and add your two cents' worth.
Nice. :)
ReplyDeleteNice work John.
ReplyDeleteThanks, Rob and Paul. I added a few more thoughts in my next post.
ReplyDelete